Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Johann Michael Franz
Portrait of a young nobleman

ID: 77703

Johann Michael Franz Portrait of a young nobleman
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Johann Michael Franz Portrait of a young nobleman


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Johann Michael Franz

Seine Eltern waren der Zimmermeister Jakob Franz , und Anna geb. Lueger. Seine Ausbildung genoss er im Umkreis des Augsburger Reichsstädtischen Kunstakademiedirektors Johann Georg Bergmuller (Bergmiller) (1688-1762); nach eigenen Angaben schloss er sie 1733 ab.  Related Paintings of Johann Michael Franz :. | Life of the Virgin | Der Rabe | Samson und Delila | bolmmor | Portrait of Jean de Dinteville and Georges de Selve |
Related Artists:
Bierstadt, Albert
The landscape painter Bierstadt joined a surveying expedition to the western United States in 1858 after studying painting in Germany.
Juan de Borgona
Spanish Painter, ca.1470-1534 was a High Renaissance painter who was born in the Duchy of Burgundy, probably just before it ceased to exist as an independent state, and was active in Spain from about 1495 to 1534. His earliest documented work was painted in 1495 for the cloister of the Cathedral of Toledo. Borgoña??s compositions are well balanced with finely drawn figures in elegant, tranquil poses. They are set either against open spaces leading on to craggy landscapes or against gold embroidered drapery. There were a number of foreign painters active in Spain in this period, including Juan de Flandes. Borgona??s students include Pedro de Cisneros the Elder (died 1546), Antonio de Comontes (ca. 1500-1519),
Carel Fabritus
1622-1654 Dutch Carel Fabritus Locations Painter. His oeuvre consists of a scant dozen paintings, since research has rigorously discounted many previously attributed works. These few paintings, however, document the painter unique development within his brief 12-year career. He is often mentioned as being the link between Rembrandt and the Delft school, particularly Pieter de Hooch and Jan Vermeer, whose depiction of light owes much to Fabritius late works in which his use of cool silvery colours to define forms in space marks a radical departure from Rembrandt use of chiaroscuro.






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